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The Museum of Obsessions accepts donations on loan from collectors, enthusiasts and the sentimental.

The things that enthral us, but which we cannot give a home to; our treasured possessions from which we cannot bear to be parted, yet cannot keep: these are the contents of the Museum. If you have no more room in your house, if you lack the means to store the essential things of your life, then the Museum was established to help you.

The contents of the Museum, even cumulatively, are worth little on the open market. The value of each item lies explicitly…

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Recently returned from Mexico, and still too jetlagged to write up my experiences and talk at SXSW, I present instead some rambling recollections made up from my notes on Mexico City, where I walked a lot (in one very small area of the central city), went to bookshops, and, in one of those out-of-place experiences that suit some books so well, devoured WG Sebald’s The Rings of Saturn—but don’t blame either of us for what follows.

I’m at Austin airport, about to leave Texas after five days at SXSW Interactive.

Yesterday, I spoke on a panel about the post-digital world. I did the books bit. It was a lot of fun, and I’m very grateful to my co-panellists Chris Heathcote, Mike Migurski of Stamen, Ben Terrett of Newspaper Club, and our moderator Molly Wright Steenson for making it happen. I’ll write more about it later, but general reactions can be found on Twitter. They seem to be good.

What really made SXSW was the people though. Really, really extraordinary people, who I felt…

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UPDATE 4/3/10: Newspaper Club won!

Ten days ago, Newspaper Club asked me to make something to go in the Design Museum, where they’ve been nominated in the Brit Insurance Designs of the Year awards. They wanted a one-pager to give away to visitors, and I’d suggested a map for a walk starting at the Design Museum and going… somewhere…

Accordingly, I took myself to Bermondsey the following weekend, and did what I always do when I have a nose for something but little notion of the quarry. Accompanied by Rimbaud – borrowed from the London…

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For a while now, I’ve been slowly reading my way through the works of Gabriel Josipovici, one of our more interesting contemporary authors, but one little known outside lit crit circles. If you haven’t had the pleasure, go pick up Moo Pak or Goldberg: Variations for a taste. His most recent book, Everything Passes (Carcanet, 2006) is perhaps his most beautiful and mysterious work to date, a short novel which affected me profoundly. Written in Josipovici’s signature spare and compressed style, it deals with life, death, and art – particularly the intentions and what the publisher calls the “ambiguous…

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As regular readers know, I’m currently in India as part of the British Council’s UK Young Publishing Entrepreneurs scheme. We’ve spent the last few days at the utterly wonderful Jaipur Literary Festival, and while I’ve got some time online I thought I’d write up one of the many talks I attended, and its associated lessons. Much more of this kind of thing to come.

The very first session I attended on Friday morning was with bestselling author Chetan Bhagat (left). His first novel, Five Point Someone and it’s successor, One Night at the Call Center are…

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Imagine a book that told a different story every time it was opened. The story might change depending on the gender of the reader, or the sex. It might depend on the location of the reader, or the position of the book in time; the time of day, or time in years. Centuries might pass before the book tells the same story again.

The nature of the web makes such a book possible. Immediately, a simple reading of the user-agent to determine the reader’s operating system and browser could be used to present each with a different version, breaking the…

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I have mixed feelings about creative writing courses, but Hanif Kureishi doesn’t:

“One of the things you notice is that when you switch on the television and a student has gone mad with a machine gun on a campus in America, it’s always a writing student.”

I recently gave a talk to some Creative Writing students. They seemed nice, if mad – but in roughly the same proportions as professional writers, so probably for the good. I may stand before them again. Kureishis’s hypothesis, therefore, struck me as worth testing.

Wikipedia’s index of School Shootings lists a total…

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HarperCollins have just launched their online slushpile site, authonomy.com, in private beta. Authonomy allows budding authors to upload chapters of their work for the rest of the community to read and comment on.

There’s been a lot of speculation about how this would be implemented, and at first sight it looks pretty good – HC haven’t overreached themselves, they’ve simply created a site for people to join, upload their work, and read that of others’. Sounds simple, but many similar projects have failed thanks to scope creep.

Every user gets a profile where they can create a…

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Flickr, everyone’s favourite photo site, just added video, and not everyone is happy about it. But Flickr has been very clever – their video offering is not designed to rival YouTube or the rest as a repository for short films, comedy clips and old adverts. Instead, they’ve limited the videos to 90 seconds to create a new niche: the long moment.

The idea has been around for a while – see the ‘long pose’ meme on YouTube for an example – but Flickr’s smarts are in seeing the gradual amalgamation of digital video and still photography…

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