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On Friday, I spoke at dConstruct in Brighton. Huge thanks to everyone at Clearleft, and everyone who came, for a really great time.

I talked about a number of things. I started out talking about Geocities, and how it was a very real thing, a place that I grew up in, and how it was lost too easily. This, despite efforts like the Wayback Machine from the Internet Archive (which, incidentally, is kept in a shipping container).

William Gibson spoke recently at BEA. He said this:

“If you’re fifteen or so, today,

…

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It was the second Gamecamp on Saturday, and by all accounts it was a huge success. I couldn’t attend, but I was asked to contribute something to the one-off newspaper produced for the day. The result is above, with the text below.

During the proceedings of the Fourth Situationist International Conference in London in December 1960 Tomas Coteblanc found a playing card in the gutter outside a bar in King’s Cross. As a result, he proposed the game of Long Poker.

Players were to collect cards as they went about their daily lives, but all cards were to

…

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I was recently asked by the good people at Proboscis to undertake a virtual residency, exploring their Bookleteer suite of tools. Bookleteer is described as “a platform for public authoring and cultures of listening—creating and sharing knowledge, stories, ideas and information”, and also as a form of samizdat for the twentieth century.

I’ll be further exploring the Bookleteer API in a future post. The code for the experiments can be found on the Bookleteer blog.

One of the subjects that came up in my thinking for SXSW, and which I mentioned briefly, was the…

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For a long time now, I’ve been somewhat obsessed with Patrick Keiller’s 1994 film London. And so, this year, I’m doing something about it. I’m studying it: watching it again and again, mining it for references and meaning, analysing and locating shots and scenes.

London lends itself to this process, more than any other film I know. Composed entirely of short, fixed-camera shots, together with a single-narrator voiceover, it takes place over a fixed length of time (January-December 1992, a single year), and within a fixed sphere: the city I live in.

So as well as cataloguing…

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I’ve been wanting to play with Layar, the augmented reality browser for iPhone 3GS and Android for a while. So I did. As a test case, I’ve created a layar for Noticings, the utterly awesome photography game created by my friends Tom and Tom.

It lets you see and find Noticings near you (if there are some within a reasonable distance. It works. It’s nice. It’s available in Layar now.

Why did I do this? You still have to ask? Well, I have a hunch that Layar might be one of the possible ways to…

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Update: This newspaper is now for sale.

I have been somewhat obsessed with the eccentric figure of Walking Stewart for a number of years, since first encountering him in some dusty library, at the unpopular end of De Quincey’s “Collected Works”.

A strange, liminal figure, Stewart seems to stalk the margins of the Nineteenth Century, his own, multitudinous, works forgotten, but his footsteps echoing through the recollections of his contemporaries. I’ve wanted to do something with him for ages.

When Newspaper Club offered me another chance to make a newspaper – following the summer’s

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A couple of weeks ago, Russell Davies noted that most podcasts of the kind we (meaning, I think, Russell, me and some like-minded folk) listen to while wandering around are quite long for most of our wanderings – typically 30 minutes or more, like the radio programmes we post at Speechification. There’s room in the world for shorter, regular podcasts – micropodcasts if you will – to fill the shorter gaps: bus stops, changing trains, a stroll to the shops, that kind of thing.

Lots of non-podcast content works well at this length – things like

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I’m pleased to announce that Artists’ eBooks, a project first mooted in this post a couple of months ago, is now live at www.artistsebooks.org.

eBooks, as we’ve been saying for some time, have massive potential to revolutionise not only how we read, but what we read. The incorporation of audio and video, the possibilities for curation, quotation, linking and sharing, the vast scope of low-to-no-cost distribution and the low barriers to entry should excite us all.

In particular, I’m fascinated to see how artists and writers respond to these new opportunites, platforms and technologies. It was…

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I’m working on a couple of eBook projects, and thinking about distribution. Sales figures are important: in the music world, we’ve already seen the move to recording downloads in addition to physical sales for compiling charts. (Chris Heathcote has some thoughts on the latter, and notes we’re not yet at the per-play stage – c.f. bkkeepr.)

My question is: how do you track, monitor and analyse downloads? Particularly of free ebooks?

Imagine this scenario: there’s a free ebook. It’s hosted in one place, and there’s a single addressable URL to access it. This will probably be a…

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A couple of months ago, I drew this on the back of an envelope:

That’s pretty much the best representation I could come up with of what I do. I encompasses all my major projects of the last few years: this site; Bookkake, my print-on-demand, experimental small publisher; bkkeepr, the web app for tracking your reading and bookmarking on the go; London Lit Plus, the open-source literature festival which ran in 2007 and 2008; Cooking With Booze; many smaller projects, and of course my work…

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