booktwo.org

I won’t get into the politics here, because this isn’t the venue, but since the lying, warmongering scum former Prime Minister Tony Blair is all over the news today, I thought I’d look around to see where and how his book is available.

A Journey is officially released in hardback today, with the RRP of £25 in the UK. you can order it direct from the publisher Random House’s ecommerce site rbooks.co.uk for £22.50. You don’t want to though, because Amazon’s doing it for £12.50, as is Waterstone’s online, while WH Smith’s are offering

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I’ve written about Metronome Press before, in a series of articles at the old STML Litblog in 2005 – 2006. If you recall, the Metronome series commissioned contemporary artists to write novels, presented as much as art pieces or artefacts as well as traditionally published books. At least one of the authors, Tom McCarthy, has gone on to considerable success in the mainstream.

What I most liked about Metronome back then was twofold: the unashamed presentation of such work as “art”, and the appropriation of the mundane apparatus of the art world for the funding, distribution…

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This morning, on as wet and dismal a Tuesday as London has to offer, I had the pleasure of meeting Bibi Bakare-Yusuf and Jeremy Weate from Cassava Republic.

Cassava Republic was founded four years ago in Abuja, Nigeria, with the intention of introducing African readers to local writers too often celebrated only in Europe and America, and to encourage home-grown writing, “rooted in African experience in all its diversity, whether set in filthy-yet-sexy megacities such as Lagos, in little-known rural communities, in the recent past or indeed the near future.”

Cassava faces all the usual pressures of a…

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Yesterday I spoke at Words In Progress, an event convened by Hannah Gregory, of Vertigo of the Modern, and Monster Emporium Press. There was much goodness there, from such fine folk as Ambit, CB Editions, antepress, Strange Attractor and Zero Books—the latter represented by Nina Power of Infinite Thought, whose book One Dimensional Woman is worth your time.

My favourite work, however, was by David Rule from or-bits, whose obsessional diarising over six months produced a five volume, barely edited memoir, and who turns his and…

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I’ve long been a fan of Hamish Hamilton’s Five Dials magazine, an occasional, elegant, high quality and free literary journal – except that I have a huge problem with its attitude.

Five Dials is only available as a PDF, intended, say HH, to be “downloaded, printed out and enjoyed (we hope) away from the computer”. Well, bah. Not only do I think it disingenuous to use the internet for your distribution while so pompously thumbing your nose at it, PDFs are horrible on screen, and I don’t have a printer capable of rendering them any better, nor the…

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A couple of weeks ago I took part in a panel at the Frontline Club on the future of publishing. It was an interesting evening, and I spoke alongside Tom Tivnan of the Bookseller and Chris Finnamore, test editor at WIRED. The whole thing’s now online if you’re so inclined:

During the talk, one particularly vocal member of the audience took issue with ebooks in general (standard trigger question: “will they smell like real books?”) and stated that vinyl was on the way back. I countered that, well, no it wasn’t – it has a growing status among…

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I’m pleased to announce that Artists’ eBooks, a project first mooted in this post a couple of months ago, is now live at www.artistsebooks.org.

eBooks, as we’ve been saying for some time, have massive potential to revolutionise not only how we read, but what we read. The incorporation of audio and video, the possibilities for curation, quotation, linking and sharing, the vast scope of low-to-no-cost distribution and the low barriers to entry should excite us all.

In particular, I’m fascinated to see how artists and writers respond to these new opportunites, platforms and technologies. It was…

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At the weekend, the fruits of several months of work at Apt finally hit the App Store in the form of Enhanced Editions‘ first title: The Death of Bunny Munro, by Nick Cave.

Enhanced Editions ebooks are a different breed to most, as our mission is to work closely with publishers to obtain the best material, and take advantage of every possible benefit of the ereading experience. This means taking every feature you’ve come to expect from good ereaders – including bookmarking, full-text search, adjustable fonts and type sizes, night mode, tilt scrolling (on the iPhone)…

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A couple of months ago, I drew this on the back of an envelope:

That’s pretty much the best representation I could come up with of what I do. I encompasses all my major projects of the last few years: this site; Bookkake, my print-on-demand, experimental small publisher; bkkeepr, the web app for tracking your reading and bookmarking on the go; London Lit Plus, the open-source literature festival which ran in 2007 and 2008; Cooking With Booze; many smaller projects, and of course my work…

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Amazon have just announced AmazonEncore: “a new program whereby Amazon will use information such as customer reviews on Amazon.com to identify exceptional, overlooked books and authors with more potential than their sales may indicate.” They’re now a publisher.

It’s been a while coming, but some of us have been predicting this move for some time: Amazon have finally made it to the penultimate step on the publishing chain. I say penultimate, because although they are now, by any definition, a publisher, they still appear to be cherry-picking from existing books rather than seeking out their own authors.

Their…

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