Archive
Phil Gyford, who amongst many other things curates the excellent and veritable http://www.pepysdiary.com/, is rightfully annoyed at HarperCollins for pulling a bait-and-switch with their print-on-demand reissues: The new volume, again on the right, is much whiter. It’s only when you compare standard books with really white paper that you realise they’re usually a bit yellow, slightly textured. You might think that having whiter, smoother paper is an improvement. It’s cleaner, brighter, more contrasty, but… it feels cheap. The paper is smooth and crisp, like the kind of paper you buy in reams to feed through your temperamental... Read the rest of this post →
I won’t get into the politics here, because this isn’t the venue, but since the lying, warmongering scum former Prime Minister Tony Blair is all over the news today, I thought I’d look around to see where and how his book is available. A Journey is officially released in hardback today, with the RRP of £25 in the UK. you can order it direct from the publisher Random House’s ecommerce site rbooks.co.uk for £22.50. You don’t want to though, because Amazon’s doing it for £12.50, as is Waterstone’s online, while WH Smith’s are offering
I’ve written about Metronome Press before, in a series of articles at the old STML Litblog in 2005 – 2006. If you recall, the Metronome series commissioned contemporary artists to write novels, presented as much as art pieces or artefacts as well as traditionally published books. At least one of the authors, Tom McCarthy, has gone on to considerable success in the mainstream. What I most liked about Metronome back then was twofold: the unashamed presentation of such work as “art”, and the appropriation of the mundane apparatus of the art world for the funding, distribution... Read the rest of this post →
This morning, on as wet and dismal a Tuesday as London has to offer, I had the pleasure of meeting Bibi Bakare-Yusuf and Jeremy Weate from Cassava Republic. Cassava Republic was founded four years ago in Abuja, Nigeria, with the intention of introducing African readers to local writers too often celebrated only in Europe and America, and to encourage home-grown writing, “rooted in African experience in all its diversity, whether set in filthy-yet-sexy megacities such as Lagos, in little-known rural communities, in the recent past or indeed the near future.” Cassava faces all the usual pressures of a... Read the rest of this post →
Yesterday I spoke at Words In Progress, an event convened by Hannah Gregory, of Vertigo of the Modern, and Monster Emporium Press. There was much goodness there, from such fine folk as Ambit, CB Editions, antepress, Strange Attractor and Zero Books—the latter represented by Nina Power of Infinite Thought, whose book One Dimensional Woman is worth your time. My favourite work, however, was by David Rule from or-bits, whose obsessional diarising over six months produced a five volume, barely edited memoir, and who turns his and... Read the rest of this post →
I’ve long been a fan of Hamish Hamilton’s Five Dials magazine, an occasional, elegant, high quality and free literary journal – except that I have a huge problem with its attitude. Five Dials is only available as a PDF, intended, say HH, to be “downloaded, printed out and enjoyed (we hope) away from the computer”. Well, bah. Not only do I think it disingenuous to use the internet for your distribution while so pompously thumbing your nose at it, PDFs are horrible on screen, and I don’t have a printer capable of rendering them any better, nor the... Read the rest of this post →
A couple of weeks ago I took part in a panel at the Frontline Club on the future of publishing. It was an interesting evening, and I spoke alongside Tom Tivnan of the Bookseller and Chris Finnamore, test editor at WIRED. The whole thing’s now online if you’re so inclined: During the talk, one particularly vocal member of the audience took issue with ebooks in general (standard trigger question: “will they smell like real books?”) and stated that vinyl was on the way back. I countered that, well, no it wasn’t – it has a growing status among... Read the rest of this post →
I’m pleased to announce that Artists’ eBooks, a project first mooted in this post a couple of months ago, is now live at www.artistsebooks.org. eBooks, as we’ve been saying for some time, have massive potential to revolutionise not only how we read, but what we read. The incorporation of audio and video, the possibilities for curation, quotation, linking and sharing, the vast scope of low-to-no-cost distribution and the low barriers to entry should excite us all. In particular, I’m fascinated to see how artists and writers respond to these new opportunites, platforms and technologies. It was... Read the rest of this post →
At the weekend, the fruits of several months of work at Apt finally hit the App Store in the form of Enhanced Editions‘ first title: The Death of Bunny Munro, by Nick Cave. Enhanced Editions ebooks are a different breed to most, as our mission is to work closely with publishers to obtain the best material, and take advantage of every possible benefit of the ereading experience. This means taking every feature you’ve come to expect from good ereaders – including bookmarking, full-text search, adjustable fonts and type sizes, night mode, tilt scrolling (on the iPhone)... Read the rest of this post →
A couple of months ago, I drew this on the back of an envelope: That’s pretty much the best representation I could come up with of what I do. I encompasses all my major projects of the last few years: this site; Bookkake, my print-on-demand, experimental small publisher; bkkeepr, the web app for tracking your reading and bookmarking on the go; London Lit Plus, the open-source literature festival which ran in 2007 and 2008; Cooking With Booze; many smaller projects, and of course my work... Read the rest of this post →
Amazon have just announced AmazonEncore: “a new program whereby Amazon will use information such as customer reviews on Amazon.com to identify exceptional, overlooked books and authors with more potential than their sales may indicate.” They’re now a publisher. It’s been a while coming, but some of us have been predicting this move for some time: Amazon have finally made it to the penultimate step on the publishing chain. I say penultimate, because although they are now, by any definition, a publisher, they still appear to be cherry-picking from existing books rather than seeking out their own authors. Their... Read the rest of this post →
I’ve been thinking about “Free” again, in the context of, well, art. Specifically books of course, but lets look again at some other spheres of free. With all the discussion of what Free means, we haven’t been talking a lot about perfectly viable models of Free that are happening right now. Newspapers and music occur to me as the big ones. I don’t know if the Metro, London Lite and thelondonpaper are profitable or sustainable. But they do seem to be working right now. And this is pretty interesting. So’s the fact that increasing numbers of people... Read the rest of this post →
As a little end-of-year project, I’ve just launched jocelynbrooke.com, a site dedicated to the life and work of English writer Jocelyn Brooke (1908—1966). I’ve become somewhat obsessed with Brooke in the last few months, and have begun a small campaign to revive his reputation. Brooke’s writing, which clusters in the decades around the Second World War, is unique in English letters. I’ve managed to amass an almost complete set of his books with a particular penchant for the Kafkaesque Image of a Drawn Sword and the angst-ridden The Scapegoat, and extending to his delightful botanical treatise The Flower... Read the rest of this post →
“How do you make a small fortune in publishing?” “Start with a large fortune.” First of all, I must apologise for over a month’s silence here at booktwo.org. I have, as I promised, been working on something, and it’s finally available for inspection. I hope you won’t mind me discussing it here: certain aspects of it are certainly germane. The project is Bookkake, an entirely print-on-demand, and web-oriented, publisher. For those of delicate tastes, be warned that the initial books are all of a somewhat physical nature that is not unrelated to their status as literature, and... Read the rest of this post →
I’ve wanted for some time to create a simple infographic of where a book’s cover price goes, and the Observer published a nice one in their Book of Books a few months ago. The figures made sense, so I’ve created a similar one here, in colour. The Observer’s figures were based on a notional £20 hardback book, from which I’ve extracted the percentages, which in my experience hold fairly true across standard formats for traditionally produced books in the major bookshops. So for a £10 paperback, the retailers will take anything between a 40% to a 60% discount (and... Read the rest of this post →
Faber Finds is the new print-on-demand (POD) offering from Faber. It’s a classics list made up of old Faber titles, with the intention (I believe) of extending to a wider range of ‘forgotten classics’. Slowly, the larger publishers are coming round to the view that much smaller publishers (such as Salt) have had for a long time: POD offers great benefits for publishers, mostly through doing away with the old and horrifically wasteful system of printing thousands of copies up front without any real idea of whether they’ll sell or not. This increasingly outmoded system is... Read the rest of this post →
“The blogosphere has been buzzing since the App Store launched over last weekend with comments about ‘dozy publishers’ who have missed a great opportunity to make their books available on the iPhone. But apart from a few digital PR points scored against competing publishers, there doesn’t seem to me to be any huge value in first mover advantage here for publishers, unless we want to make the decision to become software developers.” Sara Lloyd has responded over at The Digitalist to the many comments (including ours) on this issue. She strikes a note of caution, and suggests that... Read the rest of this post →
So the iPhone 2.0 is here, and with it a slew of reading apps. There are two approaches here: create a standalone ereader that can be used to read ebook files, or create standalone apps for each book. The former is definitely better, and the reader of choice so far appears to be Lexcycle’s Stanza, an open epub reader that’s loosely tied to FeedBooks, enabling you to pull down a bunch of free ebooks directly, or search for a whole lot more. Getting ebooks (or any other files) onto your iPhone/iPod Touch is not easy however, which is... Read the rest of this post →
Last night I attended the launch of Semina, a new series of experimental novels from Book Works, at Housmans. The novels are the result of an open call for submissions, and are being selected by series Commissioning Editor Stewart Home. The first two titles in the series, Bridget Penney’s Index, and Maki Kim’s One Break, A Thousand Blows!, are available now. Further titles in the series include Bubble Entendre (2009) by Mark Waugh and Blood Rites of the Bourgeoisie (2010) by Stewart himself, with another five titles still to be announced. Both the... Read the rest of this post →
In 1928, a cartoon character was born. An early Mickey Mouse made his debut in May of that year, in a silent flop called /Plane Crazy/. In November, in New York City’s Colony Theater, in the first widely distributed cartoon synchronized with sound, /Steamboat Willie/ brought to life the character that would become Mickey Mouse. Synchronized sound had been introduced to film a year earlier in the movie /The Jazz Singer/. That success led Walt Disney to copy the technique and mix sound with cartoons. No one knew whether it would work or, if it did work, whether it would... Read the rest of this post →
For Hire
Booktwo.org is the blog of James Bridle, a book and technology specialist with specific expertise in planning and producing web and new media projects for clients in publishing and the arts. If you'd like to hire me, have a look at my CV and portfolio, and feel free to get in touch.
I am also a member of the Really Interesting Group.
You can follow me on Twitter.
Speaking Engagements:
I am available for conferences and other events. For examples, see my talks at Interesting, Playful, South by Southwest, dConstruct and Tools of Change Frankfurt.
A complete list of talks, with links, is available.
