21/08/08: The divided book
I’ve wanted for some time to create a simple infographic of where a book’s cover price goes, and the Observer published a nice one in their Book of Books a few months ago. The figures made sense, so I’ve created a similar one here, in colour.
The Observer’s figures were based on a notional £20 hardback book, from which I’ve extracted the percentages, which in my experience hold fairly true across standard formats for traditionally produced books in the major bookshops. So for a £10 paperback, the retailers will take anything between a 40% to a 60% discount (and guess who’s trying for more), and the author can expect to see about a quid, depending on their terms.
I think this illustration serves a number of purposes, not least to illustrate the mark-up taken by the retailers. There’s some justification for this by bricks-and-mortar stores, with huge overheads, but I’m yet to hear a decent one for internet retailers, who don’t have shop rents to pay - their motivation, of course, is simply to undercut the high street. Publishers are giving away huge sums in their failure to compete on direct sales - and they’re going to struggle to justify high ebook prices too.
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The total is 90%. Where are the 10% going?
Oops - 45% should have read 55%. Thanks for the heads-up Alain. Corrected.
That’s an interesting chart. And for writers looking at self publishing on a low volume single consignment or POD basis, the production costs will double or tripple.
I wonder what the model for eBooks will be like when prices settle? One thing is for sure, retailers will still be taking their cut.
The chart is helpful Thank you. What would really help would be the next level of detail. Start with the Retailers selling price and then break out the cost components for the retailer. A second chart which starts with the Publishers net price and then segments into the Publishers cost pools would provide greater insight into the e-book vs hard copy book price debate.
We should all remember that consumer market forces will decide this question and not Publisher of Retailer cost models. There will be a precieved value for the book in each platform that, when profitable scale is reached, will establish market price.
For me, the numbers have been more like this:
65% production
55% retail
5% distribution
0% promotion
-25% publisher and author
Are you saying that on a $30 book you pay the following;
Production —- $19.50
Retail ———– 16.50
Distribution —– 1.50
Author & Publ 7.50
Total ———- $45.00
Net Loss ($12.00)
If so how are you producing the book?
[...] 1.0: Where The Money Goes The divided book I’ve wanted for some time to create a simple infographic of where a book’s cover price goes, [...]
[...] at BookTwo takes a look at the price of books and where that money goes: I think this illustration serves a number of [...]
[...] No they’re not! I’ve seen charts. It’s mostly physical [...]
Nice graphic James - there would be a lot of rich book retailers around if we all made 55% mind - in reality much of that 55% goes on:
Retailer distribution
(if online) shipping costs
Staff
Heat/Light etc
Returns
and then… the customer takes quite a significant discount off the remaining margin!
[...] the cost of production, distribution and retail overhead - is worth $20, a digital book is not. Cut the price accordingly. Take your margin, but don’t abuse your customers with outrageous prices for ebooks [...]
[...] the cost of production, distribution and retail overhead - is worth $20, a digital book is not. Cut the price accordingly. Take your margin, but don’t abuse your customers with outrageous prices for ebooks [...]
[...] cost of production, distribution and retail overhead — is worth $20, a digital book is not. Cut the price accordingly. Take your margin, but don’t abuse your customers with outrageous prices for e-books [...]
@Kieron - I think that blaming the customer for taking “quite a significant discount off the remaining margin” is a bit odd - the retailers are offering these discounts in a destructive price war, and pushing the cost back onto the publishers.
[...] The divided book | booktwo.org [...]
Hi James
No blame from me on customers, sorry re-read my post and it does sound a little like that! As a retailer I’m just happy customers choose to buy books from me - and the reasons they do so are a mix of price, availability, promotion and sometimes personal recommendation (when I’m very lucky).
All I wanted to point out is that there aren’t ‘fat cat’ retailers running over the hill with 55% - if they were I’d have bought my house years ago.
Pricing and books is an interesting discussion - since the end of the Net Book Agreement the emphasis has been more and more on volume sales, mostly driven by the internet and discounting by Amazon. 50% off as a sales message has now become the standard message for frontlist - just look at the windows of any major bookseller on the high street.
This is, to a degree, the fault of book sellers themselves - in an attempt to retain market share in the face of the internet in over expanded square footage (Borders, and the out-of-town stores) and not looking to differentiate outside of price. However this can’t be said to be unusual in a commodity product market - and booksellers still do amazing promotions and support new authors and exciting books every day. Some of the recent Waterstone’s promotions have been great (the postcard stories, writer’s table etc).
What is a real challenge is to attempt to break out of a price driven offer - but I can’t see how this will happen easily. The web, pricing and availability has increased book sales overall, but to a declining set of customers.
Any suggestions?
[...] think I’ve seen the most haunting graphic of my life here. Well, no author is into writing for the money I suppose. 10% though? There should be another way [...]
[...] on figures produced by The Observer, BookTwo has produced a wonderfully simple infographic depicting the percentages of the split (for a £20 hardback): Retailer: 55% Publisher: 17.5% Author: 10% Production: 10% Distribution: 5% [...]