booktwo.org

I won’t get into the politics here, because this isn’t the venue, but since the lying, warmongering scum former Prime Minister Tony Blair is all over the news today, I thought I’d look around to see where and how his book is available.

A Journey is officially released in hardback today, with the RRP of £25 in the UK. you can order it direct from the publisher Random House’s ecommerce site rbooks.co.uk for £22.50. You don’t want to though, because Amazon’s doing it for £12.50, as is Waterstone’s online, while WH Smith’s are offering

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I was recently asked by the good people at Proboscis to undertake a virtual residency, exploring their Bookleteer suite of tools. Bookleteer is described as “a platform for public authoring and cultures of listening—creating and sharing knowledge, stories, ideas and information”, and also as a form of samizdat for the twentieth century.

I’ll be further exploring the Bookleteer API in a future post. The code for the experiments can be found on the Bookleteer blog.

One of the subjects that came up in my thinking for SXSW, and which I mentioned briefly, was the…

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I’m very pleased to announce two new Artists’ eBooks: Niven Govinden’s L’histoire de Bexhill Baudelaire and Kenji Siratori’s Guerilla Sex Generation.

L’histoire de Bexhill Baudelaire includes links to YouTube videos which comprise the book’s soundtrack. I’ve been a fan of Niven’s work for some time, and he approached me to see if there was something we could do with one of his stories. While the limitations of the ebook format – discussed below – didn’t allow the full expression of the ideas we had, I’m pleased to get a soundtrack in there.

Guerilla Sex Generation includes…

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Tomorrow is T-day. Or iDay. Or whatever. It’ll be fun. Nobody knows *anything* yet. Well, apart from the folks at McGraw-Hill and Hachette, probably Kobo, and a whole host of others. But for the purposes of this discussion: nobody *knows* *anything*.

About the Tablet, that is. Because, actually, we know quite a lot. We know about authors and writing, and editing and publishing, and bookselling and reading. We know and understand the long-form narrative and its place between people, and in society. And I’m more comfortable with Apple getting in on the act than I am about…

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Quote above from Alex Petridis’ review of the decade in music from Monday’s Guardian.

And it strikes me that this is increasingly true of the publishing business too, and perhaps it is something we should be concerned about. My own approach has always been: literature first, technology second. What are the needs of writers and readers, and how can publishers use technology to address these needs?

Increasingly, we seem to be flailing about in a sea of formats, models, and philosophical digressions into the meaning of publishing when what we should be saying is: we have writers, we…

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A couple of weeks ago I took part in a panel at the Frontline Club on the future of publishing. It was an interesting evening, and I spoke alongside Tom Tivnan of the Bookseller and Chris Finnamore, test editor at WIRED. The whole thing’s now online if you’re so inclined:

During the talk, one particularly vocal member of the audience took issue with ebooks in general (standard trigger question: “will they smell like real books?”) and stated that vinyl was on the way back. I countered that, well, no it wasn’t – it has a growing status among…

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I’m pleased to announce that Artists’ eBooks, a project first mooted in this post a couple of months ago, is now live at www.artistsebooks.org.

eBooks, as we’ve been saying for some time, have massive potential to revolutionise not only how we read, but what we read. The incorporation of audio and video, the possibilities for curation, quotation, linking and sharing, the vast scope of low-to-no-cost distribution and the low barriers to entry should excite us all.

In particular, I’m fascinated to see how artists and writers respond to these new opportunites, platforms and technologies. It was…

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I’m working on a couple of eBook projects, and thinking about distribution. Sales figures are important: in the music world, we’ve already seen the move to recording downloads in addition to physical sales for compiling charts. (Chris Heathcote has some thoughts on the latter, and notes we’re not yet at the per-play stage – c.f. bkkeepr.)

My question is: how do you track, monitor and analyse downloads? Particularly of free ebooks?

Imagine this scenario: there’s a free ebook. It’s hosted in one place, and there’s a single addressable URL to access it. This will probably be a…

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At the weekend, the fruits of several months of work at Apt finally hit the App Store in the form of Enhanced Editions‘ first title: The Death of Bunny Munro, by Nick Cave.

Enhanced Editions ebooks are a different breed to most, as our mission is to work closely with publishers to obtain the best material, and take advantage of every possible benefit of the ereading experience. This means taking every feature you’ve come to expect from good ereaders – including bookmarking, full-text search, adjustable fonts and type sizes, night mode, tilt scrolling (on the iPhone)…

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Shared bookmarks are one of the primary drivers of conversation and socialisation on the web. Simple pointers to information are the basic currency of networked communication, and one of the most desirable functions of the future book. But, in the book, they’re pretty hard to achieve.

I’ve hit this problem already on bkkeepr, and that’s just with physical books. If two people are reading the same book in two different editions (hardback or paperback, modern or ancient, even in different translations) then the same text doesn’t occur on the same page. (This is one of the main reasons…

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