Archive
Phil Gyford, who amongst many other things curates the excellent and veritable http://www.pepysdiary.com/, is rightfully annoyed at HarperCollins for pulling a bait-and-switch with their print-on-demand reissues: The new volume, again on the right, is much whiter. It’s only when you compare standard books with really white paper that you realise they’re usually a bit yellow, slightly textured. You might think that having whiter, smoother paper is an improvement. It’s cleaner, brighter, more contrasty, but… it feels cheap. The paper is smooth and crisp, like the kind of paper you buy in reams to feed through your temperamental... Read the rest of this post →
I’m very pleased to announce that all five Bookkake titles are now available direct from Apple’s iBookstore, and several are available on the Kindle. In addition, all Artists’ eBooks titles are also available free in the iBookstore. This has not been the simplest process, but I think it’s really important to make ebooks available in as wide a number of ways as possible, and in particular in ways that make it easy for people to find them—an issue I recently addressed in the discussion of Tony Blair’s multiformat memoir. Initially, I made ebook editions... Read the rest of this post →
I won’t get into the politics here, because this isn’t the venue, but since the lying, warmongering scum former Prime Minister Tony Blair is all over the news today, I thought I’d look around to see where and how his book is available. A Journey is officially released in hardback today, with the RRP of £25 in the UK. you can order it direct from the publisher Random House’s ecommerce site rbooks.co.uk for £22.50. You don’t want to though, because Amazon’s doing it for £12.50, as is Waterstone’s online, while WH Smith’s are offering
I was recently asked by the good people at Proboscis to undertake a virtual residency, exploring their Bookleteer suite of tools. Bookleteer is described as “a platform for public authoring and cultures of listening—creating and sharing knowledge, stories, ideas and information”, and also as a form of samizdat for the twentieth century. I’ll be further exploring the Bookleteer API in a future post. The code for the experiments can be found on the Bookleteer blog. One of the subjects that came up in my thinking for SXSW, and which I mentioned briefly, was the... Read the rest of this post →
I’m very pleased to announce two new Artists’ eBooks: Niven Govinden’s L’histoire de Bexhill Baudelaire and Kenji Siratori’s Guerilla Sex Generation. L’histoire de Bexhill Baudelaire includes links to YouTube videos which comprise the book’s soundtrack. I’ve been a fan of Niven’s work for some time, and he approached me to see if there was something we could do with one of his stories. While the limitations of the ebook format – discussed below – didn’t allow the full expression of the ideas we had, I’m pleased to get a soundtrack in there. Guerilla Sex Generation includes... Read the rest of this post →
Tomorrow is T-day. Or iDay. Or whatever. It’ll be fun. Nobody knows *anything* yet. Well, apart from the folks at McGraw-Hill and Hachette, probably Kobo, and a whole host of others. But for the purposes of this discussion: nobody *knows* *anything*. About the Tablet, that is. Because, actually, we know quite a lot. We know about authors and writing, and editing and publishing, and bookselling and reading. We know and understand the long-form narrative and its place between people, and in society. And I’m more comfortable with Apple getting in on the act than I am about... Read the rest of this post →
Quote above from Alex Petridis’ review of the decade in music from Monday’s Guardian. And it strikes me that this is increasingly true of the publishing business too, and perhaps it is something we should be concerned about. My own approach has always been: literature first, technology second. What are the needs of writers and readers, and how can publishers use technology to address these needs? Increasingly, we seem to be flailing about in a sea of formats, models, and philosophical digressions into the meaning of publishing when what we should be saying is: we have writers, we... Read the rest of this post →
A couple of weeks ago I took part in a panel at the Frontline Club on the future of publishing. It was an interesting evening, and I spoke alongside Tom Tivnan of the Bookseller and Chris Finnamore, test editor at WIRED. The whole thing’s now online if you’re so inclined: During the talk, one particularly vocal member of the audience took issue with ebooks in general (standard trigger question: “will they smell like real books?”) and stated that vinyl was on the way back. I countered that, well, no it wasn’t – it has a growing status among... Read the rest of this post →
I’m pleased to announce that Artists’ eBooks, a project first mooted in this post a couple of months ago, is now live at www.artistsebooks.org. eBooks, as we’ve been saying for some time, have massive potential to revolutionise not only how we read, but what we read. The incorporation of audio and video, the possibilities for curation, quotation, linking and sharing, the vast scope of low-to-no-cost distribution and the low barriers to entry should excite us all. In particular, I’m fascinated to see how artists and writers respond to these new opportunites, platforms and technologies. It was... Read the rest of this post →
I’m working on a couple of eBook projects, and thinking about distribution. Sales figures are important: in the music world, we’ve already seen the move to recording downloads in addition to physical sales for compiling charts. (Chris Heathcote has some thoughts on the latter, and notes we’re not yet at the per-play stage – c.f. bkkeepr.) My question is: how do you track, monitor and analyse downloads? Particularly of free ebooks? Imagine this scenario: there’s a free ebook. It’s hosted in one place, and there’s a single addressable URL to access it. This will probably be a... Read the rest of this post →
At the weekend, the fruits of several months of work at Apt finally hit the App Store in the form of Enhanced Editions‘ first title: The Death of Bunny Munro, by Nick Cave. Enhanced Editions ebooks are a different breed to most, as our mission is to work closely with publishers to obtain the best material, and take advantage of every possible benefit of the ereading experience. This means taking every feature you’ve come to expect from good ereaders – including bookmarking, full-text search, adjustable fonts and type sizes, night mode, tilt scrolling (on the iPhone)... Read the rest of this post →
Shared bookmarks are one of the primary drivers of conversation and socialisation on the web. Simple pointers to information are the basic currency of networked communication, and one of the most desirable functions of the future book. But, in the book, they’re pretty hard to achieve. I’ve hit this problem already on bkkeepr, and that’s just with physical books. If two people are reading the same book in two different editions (hardback or paperback, modern or ancient, even in different translations) then the same text doesn’t occur on the same page. (This is one of the main reasons... Read the rest of this post →
Re: today’s announcement about Google and Sony. It doesn’t appear to be a deal as such, but what’s clear is that half a million scanned books from Google Book Search will be made available as epub files, with millions more to come. Epubs. Ebooks. Now, cast your mind back, if you will, to the London Book Fair 2007. I was there, twittering and liveblogging away. There were zombies and some book no one had heard of called White Tiger. All very good. I went to... Read the rest of this post →
Really quite appalled by this, from Saturday’s Grauniad. Sony should sue. There’s a case that it’s about R&J, not the Reader, but I’m not buying it. Lazy, stupid, annoying.
Here’s a thing someone floated at me. What if Amazon released a Kindle-reading app for the iPhone? It’s a thought, isn’t it? After initial doubts – why would Amazon deliberately waste all that investment in the Kindle hardware? – I did come to the conclusion that the Kindle and iPhone demographics, while they certainly overlap, are by no means mutually inclusive. I don’t have figures on this, but my presumption is that the iPhone’s younger and/or early-adopter audience is not quite the same as the Kindle’s slightly older, less techy, but more hardcore booky audience (heavy genre readers, in romance... Read the rest of this post →
I’ve wanted for some time to create a simple infographic of where a book’s cover price goes, and the Observer published a nice one in their Book of Books a few months ago. The figures made sense, so I’ve created a similar one here, in colour. The Observer’s figures were based on a notional £20 hardback book, from which I’ve extracted the percentages, which in my experience hold fairly true across standard formats for traditionally produced books in the major bookshops. So for a £10 paperback, the retailers will take anything between a 40% to a 60% discount (and... Read the rest of this post →
O’Reilly’s Tools of Change for Publishing blog has a nice series of posts on books as ebooks as applications: Linking Books with the Web-Way of Thinking Treating Ebooks Like Software A Big Boost to Books as Apps? I just want to voice something that has been bothering me a little about this (and given some current projects, may come back to bite me): Books are not applications, or software. They are words. I think there’s a danger inherent in regarding books as something to be run rather than something to be read. This argument is a bit hazy... Read the rest of this post →
“The blogosphere has been buzzing since the App Store launched over last weekend with comments about ‘dozy publishers’ who have missed a great opportunity to make their books available on the iPhone. But apart from a few digital PR points scored against competing publishers, there doesn’t seem to me to be any huge value in first mover advantage here for publishers, unless we want to make the decision to become software developers.” Sara Lloyd has responded over at The Digitalist to the many comments (including ours) on this issue. She strikes a note of caution, and suggests that... Read the rest of this post →
I’m currently reading a book in three formats at once. I’ve got a nice paperback copy for bed and sofa reading. I’ve got an ebook formatted for my mobile phone for tubes and buses. And I’ve got a free audiobook—an MP3 also on my mobile phone—for when I’m cycling along the canal to work in the mornings. (I could also read by email and RSS, if desired). None of this is perfect. The pbook is an old photostat copy – it was cheap, but it’s poorly set, there are a lot... Read the rest of this post →
So, I just finished reading a novel on my phone. Stepping up to the plate, I downloaded Cory Doctorow’s Down and Out in the Magic Kingdom (which is a blast, by the way) from booksinmyphone.com and gave it a go. And you know what? It was great. It was easy to read. It didn’t strain my eyes. It slipped into my pocket when I changed tube trains and it jumped straight back to the right place when I slid it open again. Alex has a few good points on problems with booksinmyphone’s interface, but overall the experience... Read the rest of this post →
For Hire
Booktwo.org is the blog of James Bridle, a book and technology specialist with specific expertise in planning and producing web and new media projects for clients in publishing and the arts. If you'd like to hire me, have a look at my CV and portfolio, and feel free to get in touch.
I am also a member of the Really Interesting Group.
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Speaking Engagements:
I am available for conferences and other events. For examples, see my talks at Interesting, Playful, South by Southwest, dConstruct and Tools of Change Frankfurt.
A complete list of talks, with links, is available.
