Nov 23rd 2009

Frontline Futures and the rebirth of Vinyl

A couple of weeks ago I took part in a panel at the Frontline Club on the future of publishing. It was an interesting evening, and I spoke alongside Tom Tivnan of the Bookseller and Chris Finnamore, test editor at WIRED. The whole thing’s now online if you’re so inclined:

During the talk, one particularly vocal member of the audience took issue with ebooks in general (standard trigger question: “will they smell like real books?”) and stated that vinyl was on the way back. I countered that, well, no it wasn’t – it has a growing status among…

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Aug 21st 2008

The divided book

I’ve wanted for some time to create a simple infographic of where a book’s cover price goes, and the Observer published a nice one in their Book of Books a few months ago. The figures made sense, so I’ve created a similar one here, in colour.

The Observer’s figures were based on a notional Ł20 hardback book, from which I’ve extracted the percentages, which in my experience hold fairly true across standard formats for traditionally produced books in the major bookshops. So for a Ł10 paperback, the retailers will take anything between a 40% to a 60% discount (and…

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Jul 16th 2008

On publishers and software development

“The blogosphere has been buzzing since the App Store launched over last weekend with comments about ‘dozy publishers’ who have missed a great opportunity to make their books available on the iPhone. But apart from a few digital PR points scored against competing publishers, there doesn’t seem to me to be any huge value in first mover advantage here for publishers, unless we want to make the decision to become software developers.”

Sara Lloyd has responded over at The Digitalist to the many comments (including ours) on this issue. She strikes a note of caution, and suggests that…

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Jun 13th 2008

Semina works

Last night I attended the launch of Semina, a new series of experimental novels from Book Works, at Housmans. The novels are the result of an open call for submissions, and are being selected by series Commissioning Editor Stewart Home.

The first two titles in the series, Bridget Penney’s Index, and Maki Kim’s One Break, A Thousand Blows!, are available now. Further titles in the series include Bubble Entendre (2009) by Mark Waugh and Blood Rites of the Bourgeoisie (2010) by Stewart himself, with another five titles still to be announced.

Both the…

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Jan 28th 2008

Unpackaged

Things Magazine just pointed to the growing cult of book covers online – Flickr groups for good looking books, old paperbacks, graphics and more, and similar projects like their own, wonderful Pelican Project. There are also plenty of blogs dedicated to the subject, and Penguin have spent the last couple of year deliberately turning them into a fetish item.

But why? Only today we learn that books are the number one internet product, and the weighting of book covers on ecommerce sites has long mystified me. We’re still selling books by…

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Oct 16th 2007

Books in the landfill

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So, I signed up for Blog Action Day, and then promptly forgot about it. It was yesterday. Here’s what I’d planned to talk about, with a lot less research than the original idea. Sorry about that:

I’m pretty angry about the environmental state of publishing. We are not, by any extent of the imagination, a green industry.

Let’s start with returns. Returns are the process by which booksellers can return unsold stock to the publishers. It’s been around for a while, but publishers don’t like to talk about the actual figures. Some have admitted that return rates have…

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Aug 30th 2007

The idiocy of lazy categorisation

storycode.jpg

I was quite interested when I heard about StoryCode.co.uk (via Zero Influence – there’s a .com version too). At first sight, I thought it might be a newer, better version of WhichBook.net: a way of classifying books to create a more accurate “If you liked this, you’ll love…” recommendations system. The advantage it has on WhichBook is to encourage visitors to “code” books they’ve read, which are then added to the system along with the data – a great advance on using professionals behind the scenes to classify books, which has only managed a couple…

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Aug 27th 2007

Why Amazon works

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Matt Webb, of Schulze and Webb, gives this explanation, which pretty much nails it:

A book is designed and manufactured… We discover a book, somehow. We wish for it. We select it, maybe out of a possible half dozen alternatives. We purchase it, then show it off. We discuss it, reviewing it if it’s great or if it’s terrible. We might sell it on.

A bookstore on the street, a traditional bookstore, now seems quite inadequate. Or at least, inadequate before they started doing evening book talks, supporting book clubs and having employee recommendations. But inadequate—it’s really only

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