Archive
This morning, on as wet and dismal a Tuesday as London has to offer, I had the pleasure of meeting Bibi Bakare-Yusuf and Jeremy Weate from Cassava Republic. Cassava Republic was founded four years ago in Abuja, Nigeria, with the intention of introducing African readers to local writers too often celebrated only in Europe and America, and to encourage home-grown writing, “rooted in African experience in all its diversity, whether set in filthy-yet-sexy megacities such as Lagos, in little-known rural communities, in the recent past or indeed the near future.” Cassava faces all the usual pressures of a... Read the rest of this post →
On Friday I met Elinor Jansz & Richard Embray from Four Corners Books. With backgrounds in publishing and the art world they came together to create one of the most beautiful small presses around. Four Corners publish art books, with their first serious success being Come Alive!, the examining the work of Sister Corita, Catholic nun and Pop artist. Their one stated intention was “not to produce catalogues” and so the book is the primary object, with the work selected first for book and not gallery display. However, the Come Alive! launch was... Read the rest of this post →
Amazon have just announced AmazonEncore: “a new program whereby Amazon will use information such as customer reviews on Amazon.com to identify exceptional, overlooked books and authors with more potential than their sales may indicate.” They’re now a publisher. It’s been a while coming, but some of us have been predicting this move for some time: Amazon have finally made it to the penultimate step on the publishing chain. I say penultimate, because although they are now, by any definition, a publisher, they still appear to be cherry-picking from existing books rather than seeking out their own authors. Their... Read the rest of this post →
A presentation you need to read, and not just for the explanation above of DRM: Date Repulsion Mode, the scale of cool, or why no one with a Kindle gets asked for their phone number in Starbucks. Loads of excellent stuff on book data accessibility, XML, catalogues and innovation. And make sure you read the notes. Inspiring stuff.
Faber Finds is the new print-on-demand (POD) offering from Faber. It’s a classics list made up of old Faber titles, with the intention (I believe) of extending to a wider range of ‘forgotten classics’. Slowly, the larger publishers are coming round to the view that much smaller publishers (such as Salt) have had for a long time: POD offers great benefits for publishers, mostly through doing away with the old and horrifically wasteful system of printing thousands of copies up front without any real idea of whether they’ll sell or not. This increasingly outmoded system is... Read the rest of this post →
“The blogosphere has been buzzing since the App Store launched over last weekend with comments about ‘dozy publishers’ who have missed a great opportunity to make their books available on the iPhone. But apart from a few digital PR points scored against competing publishers, there doesn’t seem to me to be any huge value in first mover advantage here for publishers, unless we want to make the decision to become software developers.” Sara Lloyd has responded over at The Digitalist to the many comments (including ours) on this issue. She strikes a note of caution, and suggests that... Read the rest of this post →
HarperCollins have just launched their online slushpile site, authonomy.com, in private beta. Authonomy allows budding authors to upload chapters of their work for the rest of the community to read and comment on. There’s been a lot of speculation about how this would be implemented, and at first sight it looks pretty good – HC haven’t overreached themselves, they’ve simply created a site for people to join, upload their work, and read that of others’. Sounds simple, but many similar projects have failed thanks to scope creep. Every user gets a profile where they can create a... Read the rest of this post →
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Booktwo.org is the blog of James Bridle, a book and technology specialist with specific expertise in planning and producing web and new media projects for clients in publishing and the arts. If you'd like to hire me, have a look at my CV and portfolio, and feel free to get in touch.
I am also a member of the Really Interesting Group.
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I am available for conferences and other events. For examples, see my talks at Interesting, Playful, South by Southwest, dConstruct and Tools of Change Frankfurt.
A complete list of talks, with links, is available.
