Archive
I’m very pleased to announce that all five Bookkake titles are now available direct from Apple’s iBookstore, and several are available on the Kindle. In addition, all Artists’ eBooks titles are also available free in the iBookstore. This has not been the simplest process, but I think it’s really important to make ebooks available in as wide a number of ways as possible, and in particular in ways that make it easy for people to find them—an issue I recently addressed in the discussion of Tony Blair’s multiformat memoir. Initially, I made ebook editions... Read the rest of this post →
Quote above from Alex Petridis’ review of the decade in music from Monday’s Guardian. And it strikes me that this is increasingly true of the publishing business too, and perhaps it is something we should be concerned about. My own approach has always been: literature first, technology second. What are the needs of writers and readers, and how can publishers use technology to address these needs? Increasingly, we seem to be flailing about in a sea of formats, models, and philosophical digressions into the meaning of publishing when what we should be saying is: we have writers, we... Read the rest of this post →
A couple of weeks ago I took part in a panel at the Frontline Club on the future of publishing. It was an interesting evening, and I spoke alongside Tom Tivnan of the Bookseller and Chris Finnamore, test editor at WIRED. The whole thing’s now online if you’re so inclined: During the talk, one particularly vocal member of the audience took issue with ebooks in general (standard trigger question: “will they smell like real books?”) and stated that vinyl was on the way back. I countered that, well, no it wasn’t – it has a growing status among... Read the rest of this post →
I’m pleased to announce that Artists’ eBooks, a project first mooted in this post a couple of months ago, is now live at www.artistsebooks.org. eBooks, as we’ve been saying for some time, have massive potential to revolutionise not only how we read, but what we read. The incorporation of audio and video, the possibilities for curation, quotation, linking and sharing, the vast scope of low-to-no-cost distribution and the low barriers to entry should excite us all. In particular, I’m fascinated to see how artists and writers respond to these new opportunites, platforms and technologies. It was... Read the rest of this post →
I’m working on a couple of eBook projects, and thinking about distribution. Sales figures are important: in the music world, we’ve already seen the move to recording downloads in addition to physical sales for compiling charts. (Chris Heathcote has some thoughts on the latter, and notes we’re not yet at the per-play stage – c.f. bkkeepr.) My question is: how do you track, monitor and analyse downloads? Particularly of free ebooks? Imagine this scenario: there’s a free ebook. It’s hosted in one place, and there’s a single addressable URL to access it. This will probably be a... Read the rest of this post →
Re: today’s announcement about Google and Sony. It doesn’t appear to be a deal as such, but what’s clear is that half a million scanned books from Google Book Search will be made available as epub files, with millions more to come. Epubs. Ebooks. Now, cast your mind back, if you will, to the London Book Fair 2007. I was there, twittering and liveblogging away. There were zombies and some book no one had heard of called White Tiger. All very good. I went to... Read the rest of this post →
Last night I attended the launch of Semina, a new series of experimental novels from Book Works, at Housmans. The novels are the result of an open call for submissions, and are being selected by series Commissioning Editor Stewart Home. The first two titles in the series, Bridget Penney’s Index, and Maki Kim’s One Break, A Thousand Blows!, are available now. Further titles in the series include Bubble Entendre (2009) by Mark Waugh and Blood Rites of the Bourgeoisie (2010) by Stewart himself, with another five titles still to be announced. Both the... Read the rest of this post →
If you’ve not been keeping up, Amazon is making a massive and highly controversial land-grab for POD and the long tail of publishing. More info here. As this is a very big issue indeed, and no worthy body on this side of the pond seems to be making a fuss, I’m only too happy to reprint this statement and appeal from the US Authors’ Guild. Don’t think it won’t happen here. Last week Amazon announced that it would be requiring that all books that it sells that are produced through on-demand means be printed by BookSurge, their in-house... Read the rest of this post →
Kate Pullinger’s column in today’s Guardian – Writers deserve a better deal from digital publishing – is very good on why authors should get a better, not worse, deal from digital publishing, and on the role of publishers in the new digital world. But it’s particularly priceless for this anecdote: At the moment the entire infrastructure of the publishing industry is geared toward shifting retail units; the head of digital publishing at a large publishing house told me that because their accounting system is entirely warehouse-based, for a time they had to find a way to represent... Read the rest of this post →
So, it’s finally here, and damn, it’s still ugly. Really, really ugly. Go watch the video demos (short one at the top, longer one lower down). But it has some things going for it. There are a lot of touches I really like, like easy ordering of low-price ebooks direct from Amazon without having to be near a computer. Online back-up of your books is very smart – one customer losing their whole library after dropping one of these in the bath would pretty much kill it. The big page-turner paddles on the side will be good for... Read the rest of this post →
Tony White, author of one of my favourite books, Foxy-T, and literary editor of The Idler, has just published a series of extracts from Balkanising Bloomsbury, a work in progress, in the Diffusion eBooks format. He writes: The ebooks are the result of a residency with Proboscis that I’ve been undertaking in recent months, working with and exploring the potential of their new Diffusion ebook generator. These stories have been created by cutting up, remixing and renarrativising fragments from a variety of sources to create completely new works. This process mines a particular... Read the rest of this post →
So, I signed up for Blog Action Day, and then promptly forgot about it. It was yesterday. Here’s what I’d planned to talk about, with a lot less research than the original idea. Sorry about that: I’m pretty angry about the environmental state of publishing. We are not, by any extent of the imagination, a green industry. Let’s start with returns. Returns are the process by which booksellers can return unsold stock to the publishers. It’s been around for a while, but publishers don’t like to talk about the actual figures. Some have admitted that return rates have... Read the rest of this post →
Here’s something that passed me by, but that makes fascinating reading: yesterday was International Pixel-Stained Technopeasant Day (via Boingboing). On this day, everyone who wants to should give away professional quality work online. It doesn’t matter if it’s a novel, a story or a poem, it doesn’t matter if it’s already been published or if it hasn’t, the point is it should be disseminated online to celebrate our technopeasanthood. The root of IP-ST Day lies in a (coherent and self-described) rant written by Howard V. Hendrix, well-published author and current Vice-President of the Science Fiction and... Read the rest of this post →
One of the subjects touched on in the fascinating talk by Brewster Kahle which I linked to yesterday was the Bookmobile, an on-demand books service in the back of a van connected to the Internet Archive’s hundreds of thousands of free, digitised texts. The set-up, which cost around $15,000 including the car (breakdown below, no pun intended), consists of a mobile satellite connection, a couple of laptops, a laser printer, a guillotine and a book binding machine. It can produce books anywhere in the world that can see a satellite, in minutes, for a cost price of $1 a... Read the rest of this post →
For me, there’s a few answers to that – the most important one being: very rarely from a high street bookseller. I don’t see why anyone would. On the rare occasions when I want a newly-released book, and I’m not just rooting around in a second-hand shop, my first choice would be to buy it online, where it’s bound to be cheaper. Actually, that’s a lie. My first choice is usually to write to the publisher and ask for a review copy. Failing that, I wait for the paperback, and then buy it online. Only when in a hurry –... Read the rest of this post →
Via Macmillan chairman Richard Charkin’s blog, an interesting half-way house on the ebook: a USB memory stick that comes pre-loaded with an ebook. The book in question is The Study Skills Handbook by Stella Cottrell, a “best-selling guide to academic success” providing “practical, no-nonsense advice on all aspects of study skills such as writing, revision and exams, critical and analytical thinking, time management and memory skills” and the package also includes a free twelve-month subscription to The Study Space which contains “additional study resources and expert advice” – which sounds exciting, but is in fact a site... Read the rest of this post →
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Booktwo.org is the blog of James Bridle, a book and technology specialist with specific expertise in planning and producing web and new media projects for clients in publishing and the arts. If you'd like to hire me, have a look at my CV and portfolio, and feel free to get in touch.
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I am available for conferences and other events. For examples, see my talks at Interesting, Playful, South by Southwest, dConstruct and Tools of Change Frankfurt.
A complete list of talks, with links, is available.
