Archive
I’ve long been a fan of Hamish Hamilton’s Five Dials magazine, an occasional, elegant, high quality and free literary journal – except that I have a huge problem with its attitude. Five Dials is only available as a PDF, intended, say HH, to be “downloaded, printed out and enjoyed (we hope) away from the computer”. Well, bah. Not only do I think it disingenuous to use the internet for your distribution while so pompously thumbing your nose at it, PDFs are horrible on screen, and I don’t have a printer capable of rendering them any better, nor the... Read the rest of this post →
Well, someone had to do it, and I think I’m the first. I’ve archived my first two years of twittering to a hardback book. (For those of you who don’t get Twitter, and those who are just bored by it’s sudden, seeming ubiquity: move along. Nothing to see here.) → The full photoset is here. I wanted to test Lulu‘s capacity for hardback books, to continue experimenting with the literary cornucopia machine, and to see if you could make a traditional diary/journal in retrospect. And you can, and it’s quite nice (apart from some weird kerning issues).... Read the rest of this post →
As a little end-of-year project, I’ve just launched jocelynbrooke.com, a site dedicated to the life and work of English writer Jocelyn Brooke (1908—1966). I’ve become somewhat obsessed with Brooke in the last few months, and have begun a small campaign to revive his reputation. Brooke’s writing, which clusters in the decades around the Second World War, is unique in English letters. I’ve managed to amass an almost complete set of his books with a particular penchant for the Kafkaesque Image of a Drawn Sword and the angst-ridden The Scapegoat, and extending to his delightful botanical treatise The Flower... Read the rest of this post →
Faber Finds is the new print-on-demand (POD) offering from Faber. It’s a classics list made up of old Faber titles, with the intention (I believe) of extending to a wider range of ‘forgotten classics’. Slowly, the larger publishers are coming round to the view that much smaller publishers (such as Salt) have had for a long time: POD offers great benefits for publishers, mostly through doing away with the old and horrifically wasteful system of printing thousands of copies up front without any real idea of whether they’ll sell or not. This increasingly outmoded system is... Read the rest of this post →
If you’ve not been keeping up, Amazon is making a massive and highly controversial land-grab for POD and the long tail of publishing. More info here. As this is a very big issue indeed, and no worthy body on this side of the pond seems to be making a fuss, I’m only too happy to reprint this statement and appeal from the US Authors’ Guild. Don’t think it won’t happen here. Last week Amazon announced that it would be requiring that all books that it sells that are produced through on-demand means be printed by BookSurge, their in-house... Read the rest of this post →
After the recent, ongoing hullabaloo over Amazon’s attempts to monopolise the print-on-demand market, I thought I’d point to some interesting uses of POD that might change some peoples’ perceptions of the technology, and show it’s not all vanity presses and Lulu photobooks. First up is PublicDomainReprints.org, a project by book geek and hacker Yakov Shafranovich, which takes texts from The Internet Archive and Google Books (over 2 million works) and automatically formats them and sends them to print. It’s a non-commercial project based on his own commercial POD company, and while (confessedly) ropy, it’s... Read the rest of this post →
I wanted to post this quickly, before it gets lost in the weekend. Authors and publishers who use Print-On-Demand printers in the US have recently been hearing that Amazon will only continue to carry their works if they switch to Amazon’s own POD property, BookSurge. WritersWeekly has the full story. This is a pretty big deal. Amazon has around 15%-20% of the total book market (in the UK), but the vast majority of the online book market, which is growing all the time. Meanwhile, POD has been turning from a vanity publisher’s niche into a mainstream printing... Read the rest of this post →
The Great Escape cover above, designed by Abram Games for Penguin in 1951, is one of my all-time favourites. And when, Moleskined-out, I needed a new notebook, it sprung to mind. So here’s what I did. I scanned in the cover, and created a dummy edition, complete with 200 blank, numbered pages, which I had printed by Lulu – a replica edition for my own use. It cost ÂŁ5, which I thought was pretty reasonable. If you’d like to do the same, here’s the blank, numbered interior pdf for a 200pp paperback notebook (what Lulu calls... Read the rest of this post →
So, what a surprise. Amazon has announced that it’s starting a Lulu-type POD system, through its wholly-owned subsidiary CreateSpace, which has been churning out self-published CDs and DVDs for several years now. The difference to Lulu being that products of said service will be searchable and buyable through the mighty Amazon.com, making them much more discoverable than stuff on Lulu, which is mostly only linked to from authors’ homepages. There’s a bigger story here though, and it’s linked to this announcement: The National Archives and Records Administration, the federal government’s official archivist,... Read the rest of this post →
One of the subjects touched on in the fascinating talk by Brewster Kahle which I linked to yesterday was the Bookmobile, an on-demand books service in the back of a van connected to the Internet Archive’s hundreds of thousands of free, digitised texts. The set-up, which cost around $15,000 including the car (breakdown below, no pun intended), consists of a mobile satellite connection, a couple of laptops, a laser printer, a guillotine and a book binding machine. It can produce books anywhere in the world that can see a satellite, in minutes, for a cost price of $1 a... Read the rest of this post →
Our spy at the recent Digital Print World expo at London’s Earl’s Court reports that Canon was displaying a new set-up they call “One Book” – a digital printer combined with a perfect binding machine. The system requires the addition of a separate colour/litho printer for the covers, which are then fed into main set-up, but this doesn’t sound too difficult to automate, and can deliver about ten copies an hour according to our souce. Also quoted is a report in Print Week magazine about a different printer which combines all these steps, and is being touted as... Read the rest of this post →
In Sunday’s Times, Bryan Appleyard wrote about the future of books. It’s a great article and deserves to be read in its entirety, but since we’re here we’ll note the key points, which are tantamount to articles of faith around these parts: “Over the past decade, power in the book industry has drained away from publishers to the bookshops.” This is incontestably true, and Appleyard notes its main effect: publishers must now pay the booksellers vast sums to have their books placed in the areas of their bookshops in which they will sell. Without front-of-store positioning, and the stacks... Read the rest of this post →
The latest New York Review of Books, a special edition of which is produced for the book fair, carries an article by Jason Epstein, venerable founder of the NYRB and husband of crusading refusenik Judith Miller, entitled Books@Google (it´s also available online). A flavour of Epstein´s wonderful prose can be found in the following analysis of Google´s ´Don´t Be Evil´ motto: The confrontation of founders who wish to do only good with the complex reality of their astonishing commercial achievement is an issue of biblical scope which calls to mind the expulsion, naked and trembling, of our ancestral parents... Read the rest of this post →
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Booktwo.org is the blog of James Bridle, a book and technology specialist with specific expertise in planning and producing web and new media projects for clients in publishing and the arts. If you'd like to hire me, have a look at my CV and portfolio, and feel free to get in touch.
I am also a member of the Really Interesting Group.
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I am available for conferences and other events. For examples, see my talks at Interesting, Playful, South by Southwest, dConstruct and Tools of Change Frankfurt.
A complete list of talks, with links, is available.
