RSS

booktwo.org


Archive for October, 2007

31/10/07: Stop Press for October 24th through October 30th

23/10/07: Stop Press for October 22nd

  • YouTube - Information R/evolution - More explicatory goodness from Michael Wesch, the man behind that Web 2.0 movie. This time he’s tackling David Weinberger’s ‘Everything Is Miscellaneous’ thesis (bk2s passim).
  • Rowling outs Dumbledore - A little late, but cheers J.K.! Roll on the slash fic (as if it didn’t exist already…).
  • Penguin Audio Ends EMusic Deal - New York Times - The Big P chickens out of DRM-free downloads of audiobooks, citing piracy concerns. This despite a piracy monitoring firm finding no pirated copies of their titles on file-sharing sites, and “really encouraging” sales, apparently.

18/10/07: Stop Press for October 17th

  • another sky press - “At Another Sky Press we do things a little differently. In addition to making our books available for free online, copies of our books are sold at cost plus optional contribution. 100% of contributions go directly to the individuals involved in the proje
  • Bookless for a Year - Alex is going ebook-only for twelve months, partly in reaction to the kind of pubwaste I recently wrote about, partly as alt.media experiment. We’ll be watching…

16/10/07: Books in the landfill

landfill.jpg

So, I signed up for Blog Action Day, and then promptly forgot about it. It was yesterday. Here’s what I’d planned to talk about, with a lot less research than the original idea. Sorry about that:

I’m pretty angry about the environmental state of publishing. We are not, by any extent of the imagination, a green industry.

Let’s start with returns. Returns are the process by which booksellers can return unsold stock to the publishers. It’s been around for a while, but publishers don’t like to talk about the actual figures. Some have admitted that return rates have topped 50%, and the numbers have been rising for some time.

What does that mean? It means that half of all books printed in the UK are never read. And they’re not redistributed either, but returned to the publishers or otherwise disposed of, usually pulped or simply placed in landfill.

Writing in the Times Higher Education Supplement last year (behind a paywall, I’m afraid) environmental scientist and author David Reay wrote:

What with production and transport, the average paperback has eaten its way through 4.5kWh of energy by the time it gets to a reader. In terms of climate impact, this is equivalent to about 3kg of carbon dioxide emissions for every glossy new textbook. So, for a print run of 10,000, there is a cost of 30 tonnes of carbon dioxide not mentioned on the dust jackets. But this is a best-case scenario. The sale-or-return system virtually guarantees that the damage is much more severe. If half the books delivered to bookshops then have to be trucked back to the publisher and pulped, there’s yet another great belch of greenhouse gases to ultimately heat up the cheeks of both publisher and author…

Assume that the average print run for those 200,000 titles is just 1,000 copies. That’s 200 million books coming off the presses in a year - 600,000 tonnes of carbon dioxide emissions and, even if we assume very low return rates, enough pulped book to fill the dining hall at Hogwart’s several times over.

In terms of its contribution to global warming, UK publishing in effect puts an extra 100,000 cars on our roads. Our esteemed seats of learning are a sizeable cog in this engine: the average undergraduate buys at least three volumes per course, while most academic offices are crammed from floor to ceiling with dusty tomes…

On top of that, only a tiny fraction of books are printed on recycled paper - or even FSC-certified sustainable pulp. Note the total absence of firm, quantifiable commitments from UK publishers to Greenpeace’s Book Campaign, compared to Canada, France, Spain, Italy, Germany…

No one in publishing wants returns. But until publishers can agree on a few things - any thing - they remain in hock to the booksellers, who use the returns system to facilitate their pile ‘em high, sell ‘em cheap attitude to literature. Returns are bad for the environment, and they’re poisonous to literature. They also run down publishers’ profits and take out money that could be used for good initiatives, like real, achievable commitments to sustainable/recycled paper stocks.

This being booktwo, I’m forced to point out that ebooks would go a long way to helping with some of these issues (although by no means all). But ebooks are a way off. We can do things now. Print less books, and force the retailers to order responsibly. This means selling through their existing stock, and not returning books from one branch while ordering from another, which I’ve seen countless times. In the long term, invest in ebooks. Take this seriously. Sort it out.

Image of book in landfill by Wader, under Creative Commons license.

16/10/07: Stop Press for October 15th

13/10/07: Stop Press for October 10th through October 12th

12/10/07: Radiohead’s ‘In Rainbows’, with even less hassle

radiohead.jpg

So, Peter noticed something quite interesting. His attempts to download Radiohead’s In Rainbows failed - he logged in, paid, requested a download key, it never arrived - so he dropped them an email.

After a quick and entirely automated exchange, they gave him an email address to write to for a new authentication key: downloadinrainbows@waste.uk.com.

Drop a blank email to that address and they’ll send you a download link - no honesty box, no email registration. Just the music.

What’s interesting is that they don’t do any checks on this email. They appear to have decided that your details, and the money they generate, are nice to haves - great if we get them, never mind if not. Publicity and the hard copy are worth far more than the digital download. Infinitely more, in fact, if we’re dividing by zero.

And I’m not sure how I feel about that. Even more so than asking you to put a price on it, giving it no value whatsoever feels like a cop-out, an abdication. Do you put a value on your mp3s the way you put a value on your ‘real’ record collection? Would you put a value on a free ebook?

I don’t want to agonise over it. I don’t even like Radiohead. But I keep jumping from one side to the other in this free debate, and it’s not over yet.

Image above from John Hick’s Cover Art for In Rainbows. Without permission, so go thank him.

10/10/07: Stop Press for October 5th through October 9th

03/10/07: Stop Press for October 1st through October 2nd

01/10/07: Cooking With Booze

cwb-title.png

So. I wrote a book. It’s out today.

Yeah, I know. You’ve been reading this site for ages, waiting for booktech revelations, when you realise it’s just been a plog all along.

Yes, I wrote a book, and if you want to buy it, that would be sweet. It is pretty awesome. But that’s not the point. I did get all booktwo on it as well.

Check out this site I made for the book. I’m sticking to all my principles; I retained full electronic rights to the work, and the whole text is available online, for free, under a Creative Commons license.

It’s all valid, it’s built with open-source, mostly free software and there’s even a mobile edition.

And on top of that, I’ve marked it up in a prototype hRecipe microformat, and you can download the whole book as a tagged XML file to use for other experiments with this type of data.

What do you reckon?

I’ve also been making some little cooking videos to illustrate the site (the kind of thing, incidentally, which would be simple in a true ebook, but only possible now through this kind of split-personality marketing). Here’s one; check the book and follow the blog for more.



Switch to Regular Style
James Bridle
booktwo.org
james@booktwo.org