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From In the Days of the Comet, 1906 (Fontana, London, 1978; p. 92):

Let me describe to you, very briefly, a newspaper day.

Figure first, then, a hastily erected and still more hastily designed building in a dirty, paper-littered back street of old London, and a number of shabbily dressed men coming and going in this with projectile swiftness, and within this factory companies of printers, tensely active with nimble fingers—they were always speeding up the printers—ply their type-setting machines, and cast and arrange masses of metal in a sort of kitchen inferno, above which, in a beehive of little brightly lit rooms, disheveled men sit and scribble. There is a throbbing of telephones and a clicking of telegraph needles, a rushing of messengers, a running to and fro of heated men, clutching proofs and copy. Then begins a clatter roar of machinery catching the infection, going faster and faster, and whizzing and banging—engineers, who have never had time to wash since their birth, flying about with oil-cans, while paper runs off its rolls with a shudder of haste. The proprietor you must suppose arriving explosively on a swift motor-car, leaping out before the thing is at a standstill, with letters and documents clutched in his hand, rushing in, resolute to “hustle,” getting wonderfully in everybody’s way. At the sight of him even the messenger boys who are waiting, get up and scamper to and fro. Sprinkle your vision with collisions, curses, incoherencies. You imagine all the parts of this complex lunatic machine working hysterically toward a crescendo of haste and excitement as the night wears on. At last the only things that seem to travel slowly in all those tearing vibrating premises are the hands of the clock.

Slowly things draw on toward publication, the consummation of all those stresses. Then in the small hours, into the now dark and deserted streets comes a wild whirl of carts and men, the place spurts paper at every door, bales, heaps, torrents of papers, that are snatched and flung about in what looks like a free fight, and off with a rush and clatter east, west, north, and south. The interest passes outwardly; the men from the little rooms are going homeward, the printers disperse yawning, the roaring presses slacken. The paper exists. Distribution follows manufacture, and we follow the bundles.

Our vision becomes a vision of dispersal. You see those bundles hurling into stations, catching trains by a hair’s-breadth, speeding on their way, breaking up, smaller bundles of them hurled with a fierce accuracy out upon the platforms that rush by, and then everywhere a division of these smaller bundles into still smaller bundles, into dispersing parcels, into separate papers, and the dawn happens unnoticed amidst a great running and shouting of boys, a shoving through letter slots, openings of windows, spreading out upon book-stalls. For the space of a few hours you must figure the whole country dotted white with rustling papers—placards everywhere vociferating the hurried lie for the day; men and women in trains, men and women eating and reading, men by study-fenders, people sitting up in bed, mothers and sons and daughters waiting for father to finish—a million scattered people reading—reading headlong—or feverishly ready to read. It is just as if some vehement jet had sprayed that white foam of papers over the surface of the land. . .

And then you know, wonderfully gone—gone utterly, vanished as foam might vanish upon the sand.

Nonsense! The whole affair a noisy paroxysm of nonsense, unreasonable excitement, witless mischief, and waste of strength—signifying nothing. . . .

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Why does nobody write like that about the internet?