
I’ve written about Metronome Press before, in a series of articles at the old STML Litblog in 2005 – 2006. If you recall, the Metronome series commissioned contemporary artists to write novels, presented as much as art pieces or artefacts as well as traditionally published books. At least one of the authors, Tom McCarthy, has gone on to considerable success in the mainstream.
What I most liked about Metronome back then was twofold: the unashamed presentation of such work as “art”, and the appropriation of the mundane apparatus of the art world for the funding, distribution…
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