Inspired by the Japanese iPhone/Book mashup that appeared in the Stop Press links recently, I made this rough concept of an in-book mobile app, riffing on ideas of the “enhanced edition“.

Imagine if when you got a book, you also got a mobile app that contained the footnotes and index, supporting material and the searchable text. The app sits inside the book itself. Search the app for “Leonardo da Vinci” and it points you to the relevant pages in the book. Supplementary material is accessed by typing in the page you’re on in the book. It includes biographical information, galleries of high-resolution, zoomable images. Take notes, save and email them. Find other readers nearby. Annotate the text, and keep those annotations in the right place – connected to the book itself, but accessible anywhere. For series books the possibilities are even bigger: linking a collection via a digital index and archive. And its updatable: the author can add in material to the book indefinitely after publication – and pitch their next one when it comes out.

A little bookmarklet lets you easily and quickly generate a nice, clean page – and a short URL from any YouTube page. Check it out. If it all seems a bit confusing, here’s a quick tutorial:

[Original post at Times Emit]

So, I can finally show off this utterly lovely project we’ve been working on at Apt, with the help of my awesome friends at Asylum Films.

Two weeks, never enough cash, animators sleeping in shifts in the Directors’ flat in Haringey, and almost a thousand books…

More (and bigger) video and info at 25thestate.com.

Flickr, everyone’s favourite photo site, just added video, and not everyone is happy about it. But Flickr has been very clever – their video offering is not designed to rival YouTube or the rest as a repository for short films, comedy clips and old adverts. Instead, they’ve limited the videos to 90 seconds to create a new niche: the long moment.

The idea has been around for a while – see the ‘long pose’ meme on YouTube for an example – but Flickr’s smarts are in seeing the gradual amalgamation of digital video and still photography in the same devices, and making a useful connection between the two media produced.

Literature is usually, and paradoxically, perceived as both static – fixed and unchanging on the page – and temporal; spooling along a timeline, occupying an extended period from start to finish. If literature has a photo moment, a pinpointable spot, it is the phoneme, or perhaps the word. Joyce’s great ‘frseeeeeeeefronnnng‘, my favorite sound in all literature, or Keat’s ‘Forlorn!’, tolling like a bell in Ode to a Nightingale.

Is there such a thing as a long textual moment? If there is, I would suggest that it can perhaps be found – again paradoxically – in silence, whether in the Beckett’s brooding pauses, or the crystalline, breathless moment at the end of a poem, when the last words hang in the air and, soundlessly, resound.

Above, my ‘long photo’ of African Wild Dogs pacing their enclosure at London Zoo, taken this bright, shiny morning on the canal.

The ebooks are the result of a residency with Proboscis that I’ve been undertaking in recent months, working with and exploring the potential of their new Diffusion ebook generator.

These stories have been created by cutting up, remixing and renarrativising fragments from a variety of sources to create completely new works. This process mines a particular seam of Balkanist fantasy in English language literature and media; ranging from E.M.Forster to contemporary free-sheet the London Paper. Alongside each story is full bibliographical information relating to the research process. In addition, these resources are also collected in a separate bibliography which will be refreshed and added-to each time a new work is uploaded.

Diffusion is a project to create an online ebook generator which people can use to produce small editions of their work. The term ebook is somewhat misleading as the final product is in fact a paper book, albeit one that can be quickly and reasonably easily assembled from an electronic file: the ebook engine generates a 4-up pdf that is printed and assembled into a chapbook:

The project is a direct response to the increasing difficulties of getting short and niche works into the bookshops, and the generator will shortly be made publicly available to all. All the titles are free to download.

It’s a good idea and a pretty good implementation, although it took me a couple of tries to get to grips with the assembly, largely because my printer chopped off the page numbers (suggestion: put these at the top of the minipages, not the bottom corner), and the instructions are not very clear (there are better ones on the site, but I only found these later). Anyway, it’s the new sharing age, so (largely inspired by Common Craft) I made my own instruction/demo:

P.S. Ooh, there’s some Stewart Home too!

So. I wrote a book. It’s out today.

Yeah, I know. You’ve been reading this site for ages, waiting for booktech revelations, when you realise it’s just been a plog all along.

Yes, I wrote a book, and if you want to buy it, that would be sweet. It is pretty awesome. But that’s not the point. I did get all booktwo on it as well.

Check out this site I made for the book. I’m sticking to all my principles; I retained full electronic rights to the work, and the whole text is available online, for free, under a Creative Commons license.

It’s all valid, it’s built with open-source, mostly free software and there’s even a mobile edition.

And on top of that, I’ve marked it up in a prototype hRecipe microformat, and you can download the whole book as a tagged XML file to use for other experiments with this type of data.

What do you reckon?

I’ve also been making some little cooking videos to illustrate the site (the kind of thing, incidentally, which would be simple in a true ebook, but only possible now through this kind of split-personality marketing). Here’s one; check the book and follow the blog for more.

The video is a product of BET, the ‘black interest’ US cable channel, who deserve utter praise for such a forthright and downright hilarious approach. It has, quite predictably, caused a bit of a furore across the pond due to it’s supposed negative stereotyping of black youth. It’s satire. It has a message. People will get the message. Acting on it is up to them. (Via Print Is Dead).

There’s a lot of really interesting and varied information in there, and you’ll be glad you did.

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