I’m very pleased to announce that all five Bookkake titles are now available direct from Apple’s iBookstore, and several are available on the Kindle. In addition, all Artists’ eBooks titles are also available free in the iBookstore.

This has not been the simplest process, but I think it’s really important to make ebooks available in as wide a number of ways as possible, and in particular in ways that make it easy for people to find them—an issue I recently addressed in the discussion of Tony Blair’s multiformat memoir.

Initially, I made ebook editions of all Bookkake titles available for free. This was in part because I wanted to see what would happen, but also because I was dissatisfied with then-current ebook distribution and display systems. Times have changed, and so in making these books available more easily, I’ve also removed the free ebooks. Bookkake has always been an experiment, and I’m looking forward to seeing the response to more easily available, if priced, editions.

Artists’ eBooks is similarly experimental, and the free ebooks are still available from the website, as well as available as free downloads for iPhone/iPad users in the iBookstore.

With respect to the process, here’s how it breaks down:

To get books into the iBookstore directly (as opposed to going through an aggregator) you need an account with iTunes Connect, which in turn requires a US Tax ID, a non-trivial process that required some very complicated forms and quite a lot of time on the phone to someone in an IRS office, somewhere in the Midwest.

When you’ve got this, you upload your files—a slightly modified ePub format, which Lisa has covered in detail over at Threepress—via Apple’s iTunes Producer application. This part is pretty straightforward, once you’ve worked out the formatting kinks, but then the fun starts.

Submitted books are “under review” for about a week on average. And then, in my case, they’re all marked “Withdrawn from sale”. And that’s it: no message, no feedback, no information. So you email Apple, several times, and after a week to ten days you get an email from someone telling you what’s wrong—in the first case, it was cover images at the wrong resolution. So you resubmit, wait out the review period, and then repeat the whole process again, several times, for a series of very minor but critical issues.

The upshot is that it’s taken almost two months to get all the books submitted correctly—only a couple of hours of actual work, but a lot of waiting and sending emails and hoping. Still, the books are now available (search iBooks for Bookkake, Artists’ eBooks or any of the authors or titles), and Apple support staff have promised that they’re aware of and looking into the notification system. It’s a new programme, and this sort of thing will undoubtedly improve, if not, as we’ve seen with the App Store, ever be fully transparent.

The Kindle application process has been simpler, if slightly less successful. Although some have reported difficulties, Amazon’s Digital Text Platform happily converted my existing ePub files to Kindle platform, and made them available very quickly—although I’ve been unable to convince them of the rights status of a couple of the titles, so only three are available. Still.

I happen to like both reading experiences very much, and will be writing more about them soon. Both stores are OK, but it’s very annoying you can’t link directly to products in the iBookstore [Update: see comments] as you can for the Kindle store (or, indeed, for iTunes).

Please, go read the Artists’ eBooks titles if you’re interested, and the Bookkake titles if you’re so inclined, and I look forward to hearing your feedback.

I’m off to India for a couple of weeks: don’t expect too many posts, but I’ll have lots to tell on my return.

No time to write up the excellent experience that was Bookcamp last weekend – keep your eye on the Penguin blog for more reports. There will be more to come.

Very pleased to see Bookkake and bkkeepr (twice) on the map above that’s doing the rounds. 2008 was a good year, and there are many more plans for 2009. See you in February.

It’s rare that I out-and-out praise a service, particularly here, but if you’re running any kind of customer-facing service on the web I can’t recommend Get Satisfaction highly enough. In fact, if you’re not using it, you’re doing it wrong: it’s up there in a select set of absolutely essential tools like Google Analytics, Feedburner and Campaign Monitor (or equivalents, but they’re my picks) that should be set up and running for your project / website / shop before they launch.

Get Satisfaction is “people-powered customer service” that provides a trackable single point of contact, organisation, reference, feedback and ongoing management of customers for your product. It does it in a properly 2.0 way too: it’s free, with email notifications, RSS feeds, transparency and good design.

I’ve been using it from the start for Bookkake (which hasn’t done much, but glad to have it) and more especially for bkkeepr, where it has proved invaluable, particularly as the service is fairly hands-off most of the time. I get notifications of issues before I’ve noticed them, technical advice on upgrades, and even great tips on how to improve the service, some of which I’ve actually implemented. And where I haven’t implemented them, I can explain why, and keep those ideas in an easy-accessible place. This kind of dialogue with your users is pretty much essential.

There are nice extras features too, like monitoring Twitter for you – which you can do with Twitter search as well, but essential for a product like bkkeepr, and a good idea for pretty much any web-based product these days (along with Google Alerts). And the new Feedback tab – which isn’t for everyone, but fits in really well on bkkeepr – is a truly excellent invention, a brilliant execution which keeps users on your site while they give you feedback, and has produced a very noticeable increase in useful contributions from users.

So thanks to all the wonderful bkkeepr users who have contributed via Get Satisfaction. Sorry I haven’t implemented all the ideas, but the feedback has been invaluable, and all ideas are considered. If you have a similar site, or anywhere where users spend more time interacting your site than you do – which is pretty much everyone – you should be using it too.

“How do you make a small fortune in publishing?”
“Start with a large fortune.”

First of all, I must apologise for over a month’s silence here at booktwo.org. I have, as I promised, been working on something, and it’s finally available for inspection. I hope you won’t mind me discussing it here: certain aspects of it are certainly germane.

The project is Bookkake, an entirely print-on-demand, and web-oriented, publisher. For those of delicate tastes, be warned that the initial books are all of a somewhat physical nature that is not unrelated to their status as literature, and the name is a direct reference to a sex act. There are reasons for all of these things.

Bookkake has been in development for over a year and a half. As well as a personal project in which I take much pride, it is also intended to be a model for how small, independent and risk-taking publishers (and even some big ones) can survive in the current times. With past and recent events including the near-destruction of Dedalus Books and the absorption and subsequent emasculation of Serpent’s Tail, we’re serious about making sure that voices like these survive.

I was assisted by a small grant from Arts Council England which helped with some of the set-up costs (and it should be pointed out, was in no way of the scale to trouble organisations suffering their own funding cuts), but contrary to the old saw above, Bookkake is not in the fortune-building or the fortune-breaking business. Print-on-demand and direct sales mean that we cut out much of the warehousing, distribution, and discounting costs that are currently causing so much trouble in the trade. Order a book from the Bookkake website and it is printed and shipped directly to you.

I’ve gone to a lot of trouble to address many of the doubts surrounding print-on-demand, and I’m more than aware that I have a lot to live up to following my recent criticisms of Faber Finds, among others. But I’ve done this in a number of ways: individual covers with a unified design theme, resetting the books in modern, digital-suited type and typography, and commissioning new introductions to each one, from established writers. I’m not saying this just to promote the books (although I’m hardly likely to shy away from it), but because this is the way great literature should be treated, and new advances in technology are not excuses to promote cheaper editions.

I also feel justified in using the term ‘great literature’ because Bookkake’s opening list is one of classics: five titles that have been acclaimed elsewhere and long before I came onto the scene. This is partly a simple financial decision – the works are out of copyright, so Bookkake does not have to pay royalties to the long-dead authors – and partly thematic. The works represent the kind of works I wish to continue to publish: mould-breaking, exciting, and unafraid. I am already working on the second set of titles, which will include original works by current authors, but I love these ones too: I don’t believe any but the most closed and conservative can fail to enjoy, and be moved by, John Cleland’s immortal Fanny Hill, Hazlitt’s impassioned Liber Amoris, or even Guillaume Apollinaire’s hilarious Memoirs of a Young Rakehell.

At the moment the books are only available in the UK available in the UK and the US, and there are no shipping fees. There are also no special discounts available to the larger retailers, nor blanket guarantees of sale-or-return, terms which will not endear me to many bookshops, but are changes I have been urging on the trade, with good reason, for some time. I hope the more enlightened retailers will see their way to making deals which benefit both sides. The website, which is at the core of my approach, comes with extensive extracts, high-resolution covers, all the social media dooh-dahs and, most notably I think, entirely free ebook editions of every title. The latter is probably the most significant choice I’ve taken, but I firmly believe that by supplying interesting readers with the best version of what they can get elsewhere for free, I’ll be rewarded with customer appreciation and loyalty.

So Bookkake is a project born almost entirely of booktwo, and of my desire to see publishing move with technology and survive as the guardian and helpmate of literature. But it’s also another product of my own ongoing, irresponsible, ever-growing and never-sated love affair with books. I can’t stop reading them, cherishing them, and trying to work with them, and I hope you’ll continue with me on this journey as many of you have here at booktwo.org and previously at STML.

I will be continuing to blog here, I hope, although I will also be blogging full-time (such as that is) at the new Bookkake blog, mostly about literature, past and present, with an emphasis on forgotten writers, censorship and sexuality, as well as reflections on publishing at the sharp end. All of these are still extra-curricular activities outside my day job, so I can’t promise anything, although subscribers to the RSS feed will continue to find links of interest to me and perhaps to you on the subjects of literature, technology and the future of publishing.

Wish me luck.