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Archive for March, 2008

19/03/08: Stop Press for March 18th

  • Scott Pack On The Future Of The Printed Word - “We will still be reading books in printed form most of the time 10 years from now.” No we won’t. You know why? Because ten years is a lot closer than it used to be.
  • Penguin Tasters - Penguin Books Ltd - A pretty simple idea, which everyone should be doing already (well, I did do it at Snowbooks for my titles), but only Penguin’s actually getting on with it.
  • RIP Joseph Weizenbaum - The creator of ELIZA, the first chatterbot. I’ve always related weak AI to storytelling, and ELIZA is the first software storyteller.

18/03/08: It was terrible, but it was wonderful!

In 1928, a cartoon character was born. An early Mickey Mouse made his debut in May of that year, in a silent flop called /Plane Crazy/. In November, in New York City’s Colony Theater, in the first widely distributed cartoon synchronized with sound, /Steamboat Willie/ brought to life the character that would become Mickey Mouse. Synchronized sound had been introduced to film a year earlier in the movie /The Jazz Singer/. That success led Walt Disney to copy the technique and mix sound with cartoons. No one knew whether it would work or, if it did work, whether it would win an audience. But when Disney ran a test in the summer of 1928, the results were unambiguous. As Disney describes that first experiment, “A couple of my boys could read music, and one of them could play a mouth organ. We put them in a room where they could not see the screen and arranged to pipe their sound into the room where our wives and friends were going to see the picture. “The boys worked from a music and sound-effects score. After several false starts, sound and action got off with the gun. The mouth organist played the tune, the rest of us in the sound department bammed tin pans and blew slide whistles on the beat. The synchronization was pretty close. “The effect on our little audience was nothing less than electric. They responded almost instinctively to this union of sound and motion. I thought they were kidding me. So they put me in the audience and ran the action again. It was terrible, but it was wonderful! And it was something new!”

— Lawrence Lessig, Free Culture

I’ve just started reading Free Culture (yup, on my phone), and it’s really good. If, like me, you’re very into all this CC-licensing and democratisation of content, but don’t actually know too much about the legal, historical and cultural background, you should give it a try too.

The above quote seemed startlingly appropriate to much of booktech and the wider internet’s attempts to do cool, new things and do them now. The results aren’t always pretty, but they’re often thrilling, and groundbreaking, and point the way to more exciting and new things. Of course, “terrible and wonderful” is not a good pitch to anyone corporate, which is why it’s taking the big guys a long time to turn the boat around.

But not, of course, Penguin. Head over to wetellstories.co.uk and check out the first installment of their six web-based tales, a Google Maps-based adventure from Charles Cumming. Sure, I’m not wild about aspects of the interface (the neophobes should have a field day with all the ‘reticulating splines’) but this is about as new and exciting as it gets.

15/03/08: Stop Press for March 14th

14/03/08: Stop Press for March 13th

13/03/08: DIY: Classic Notebooks

ge_cover.jpg

The Great Escape cover above, designed by Abram Games for Penguin in 1951, is one of my all-time favourites. And when, Moleskined-out, I needed a new notebook, it sprung to mind.

So here’s what I did. I scanned in the cover, and created a dummy edition, complete with 200 blank, numbered pages, which I had printed by Lulu - a replica edition for my own use. It cost £5, which I thought was pretty reasonable.

If you’d like to do the same, here’s the blank, numbered interior pdf for a 200pp paperback notebook (what Lulu calls Pocket B&W, Perfect Bound, 10.795cm x 17.463cm). And if you have InDesign CS2+, here’s a blank cover file, complete with bleed and spine correctly sized for 200pp (I’m pretty sure this is copyright violation, so you’ll have to scan your own favourite cover).

ge_inside.jpg

Note that I messed up the bleed a little, trying to preserve the edges of Games’ design, but trial and error will out.

I’m starting to see the internet as an (admittedly very slow) cornucopia machine (yes, I’ve been overdosing on the Stross again). The number of web services that let you customise ‘things’ - and sell them on - is growing rapidly, and has quite profound consequences for traditional first-order (manufacturer) and even second-order (designer) producers. And quite interesting ones for the rest of us.

12/03/08: Stop Press for March 11th

  • Tea and Scandal - Lindsey, a good friend, has started a new blog with a new job. Currently reporting book-related stuff from SXSW. Damn her…
  • Penguin: We Tell Stories - It’s up. And it looks pretty damn good.

08/03/08: Stop Press for March 6th through March 7th

06/03/08: Stop Press for March 5th

  • The Charms of Wikipedia [The New York Review of Books] - ‘On January 11, 2008, the entire fascinating entry on the aardvark was replaced with “one ugly animal”; in February the aardvark was briefly described as a “medium-sized inflatable banana.”‘
  • Anything - “Anything is a [..] that lets its contributors freely add/edit any image or text to it, as often as they wish.” A self-editing, collaborative magazine.
  • Cory Doctorow: Put Not Your Faith In Ebook Readers - Cory looks at the physical and UX issues behind the relative failure of the Kindle et al. Good stuff.

05/03/08: Dance of the Concords

I was recently asked for links on the subject of Joyce’s Finnegans Wake, and, hunting around, came across http://fweet.org/, the utterly bonkers Finnegans Wake Extensible Elucidation Treasury, a collection of over 78,000 notes on the Wake, gathered from numerous written sources. Very easy to get lost in.

It reminded me of another great resource for comprehension: HyperArts’ excellent Thomas Pynchon site, which has grown dedicated wikis since I last visited, in addition to the most useful concordance to Gravity’s Rainbow:

White Visitation
34; former mental hospital located in the fictional town of Ick Regis on the coast of southern England; now part of SOE; location of PISCES; D-Wing still has “loonies”; “devoted to psychological warfare” 35; “they’re all wild talents–clairvoyants and mad magicians” 40; 72-74; described, 82-83; D-Wing, 230; 533; 627

I was also, just this morning, researching a favourite phrase of my Father’s: “‘Tis a poor heart that never rejoices.” He’s always attributed it to Wodehouse, but I uncovered several older sources. Dickens uses the phrase in Barnaby Rudge:

‘What happened when I reached home you may guess. … Ah! Well, it’s a poor heart that never rejoices.’
[1841 Dickens, 'Barnaby Rudge' iv.]

but it appears that Captain Marryat is the originator, using it in several books:

‘Well,’ continued he, ‘it’s a poor heart that never rejoiceth.’ He then poured out half a tumbler of rum.
[1834 Marryat, 'Peter Simple' I. v.]

“You had a drop too much, that’s all, and what o’ that? It’s a poor heart that never rejoiceth. Rouse a bit, wash your face with cold Thames water, and in half-an-hour you’ll be fresh as a daisy.”
[1834 Marryat, 'Jacob Faithful' I. v.]

“Tis a long while since I have sung, but it’s a ‘poor heart that never rejoiceth.’”
[1848 (posthumous), Marryat, 'The Little Savage']

There’s also an occurrence in an 1844 text in Oxford University Library, called Hampton Court, or, The Prophecy Fulfilled, so the phrase appears to date from around this time.

My personal favourite site, however, is Bartleby’s edition of Brewer’s peerless Dictionary of Phrase and Fable, which is endlessly rewarding:

Tom O’Bedlams.
A race of mendicants. The Bethlem Hospital was made to accommodate six lunatics, but in 1644 the number admitted was fortyfour, and applications were so numerous that many inmates were dismissed half-cured. These “ticket-of-leave men” used to wander about as vagrants, chanting mad songs, and dressed in fantastic dresses, to excite pity. Under cover of these harmless “innocents,” a set of sturdy rogues appeared, called Abram men, who shammed lunacy, and committed great depredations.
         “With a sigh like Tom O’Bedlam.”
         Shakespeare: King Lear, I. 2.

Frazier’s Golden Bough is pretty great too, but Brewer’s, originally published in 1870, and highly idiosyncratic in style and frequently venturing into trivia and apocrypha, seems made for the web. Old reference works are joining journals and epistolary novels - like recent web editions of Pepys and Swift - in finding new audiences, hungry for information.

05/03/08: Stop Press for March 4th

  • Hypertextopia - “A space where you can read and write stories for the internet. On the surface, it looks like a mind-map, but it embeds a word-processor, and allows you to publish your stories like a blog.” [Via if:book]
  • Penguin audiobooks to be copyright-free [The Guardian] - The Guardian doesn’t know the difference between © and DRM. For shame. (And delicious readers have all tagged this “free” as in no cost, which is interenting.)
  • LibraryThing Local - LT adds user-submitted bookstores and events. Must be great to have such a passionate community behind your app. Interesting it grew from a failed partnership with BookTour…


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James Bridle
booktwo.org
james@booktwo.org